THEATRE
PRODUCTIONS:
in retrospective order |
 |
THE
THREE SISTERS by A. Chekhov,
Interanimation
Theatre Company LLP,
Stratford
Circus Theatre,
Stratford East, 2004
The
Three Sisters is a nineteenth-century comedy but fretted with the
anguish and cruelty of contemporary life.
|
MISS
JULIE
|
by
August
Strindberg, Interanimation Theatre Company LLP, Stratford Circus
Theatre, Stratford East, 2002
Strindberg’s symbolist-naturalist signature play about
the predicament of the aristocracy in Norway… |
| BEHIND
THE MOON
|
written
and directed by Clara Armand, Lark Theatre Company, The Courtyard
Theatre, 1997
Set
nowadays, the play tells the story of a family making their way
into the world of the fashion industry. Events take a surprising
turn when fashion designer Marion Cowley discovers that her life
rapidly descends into chaos.
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| 
|
THE
MARRIAGE by N.
Gogol
Thorndike
Rep Theatre, October-December 1995, and subsequently The Oak Street
Theatre in Portland, Maine, USA, 1995/1996
An
incredible incident, in which the bride and bridegroom-to-be never
get to walk the isle together.
view a video extract of The Marriage
|
| STAGS
AND HENS
|
by
Willy Russell
(The Barn Theatre, Sidcup, London, February, 1995) |
THE
GOOD WOMAN OF SEZUAN |
by
B. Brecht, Thorndike Exchange, Thorndike Rep Theatre, 1994
A young woman has to pretend that she is her male cousin to persuade
everybody, including the Gods, that she is fit for business.
|
| TWELFTH
NIGHT |
by
William ShakespeareLakeside Theatre, 1994 |
ROMEO
AND JULIET |
by
William Shakespeare (Demarco Theatre, Edinburgh Theatre Festival,
1994, Best Youth Theatre Achievement Prize) Shakespeare’s
immortal tale of love and hatred.
|
| DAUGHTERS
AND SONS |
Cabaret
showcase, Whitehall Theatre, West End, 1993
|
 |
THE
CRUCIBLE
by Arthur
Miller, Bellairs Playhouse, Guildford, November, 1993
Arthur Miller’s tale of witch hunts in the times of the
puritan New England and McCarthy’s America.
|
|
A PACK OF LIES
by Hugh Whitemore, Founders Studio Theatre, Guildford, April, 1993
A family caught in between two power-systems…
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| MUSICALS:
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|
STAGESTRUCK
Book and lyrics by Clara Armand, music by Mike Flood.
Musical, The Etcetera Theatre, London, 2000
?We?re in the Chief dressing room at the Vignette Theatre, a forgotten, audience-forsaken playhouse in the back street of some Northern town. The room?s rightful occupant, Miss Jefferson, is on stage screeching out the part of Lady Bracknell, while her dresser, make-up artist and general factotum Sally (who is mistakenly called ?Mary? by the Vignette theatre?s admin staff) tries on her frocks and lipstick and tells us of her gloriously imagined future. An engaging hostess, Sally makes us privy to the story behind-the-scenes politics of the Vignette theatre. It?s the mixture of tones Armand employs that makes Stagestruck more interesting than any summary could suggest: it has grittiness and schmaltz in almost equal measure.?…
from Robert Lloyd Parry's review about Stagestruck in Hampstead & Highgate Express, August, 11, 2000
listen
to a track of Stagestruck
|
CABARET
|
by
Kandor & Ebb (musical, The Queen’s Theatre, Hertfordshire,
1998)
The tale of a cabaret singer in nazi Germany through the eyes
of a young American |
 |
THE
SNOW QUEEN
adapted from H. C. Andersen by Greg Cullen. The Old Bull Arts Centre,
December, 1995
Kay’s heart is transformed into a piece of ice, but Gerda
and her friends, The Reindeer, The Crows Clive and Carrie, the Horse,
the Robber Girl and the Lappwoman, undertake some extraordinary
adventures to restore justice and bring Kay back.
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FILM AND VIDEO PRODCUTIONS: |
 |
THE
CRUMBS OF HAPPINESS
Short Film, 16mm,
Raindance Film Showcase, Metro Cinema In Leicester Square, February,
1998
Coincidence brings brewery worker Lindsay, computer programmer
Jason and decorative flowers’ manufacturer Emily together.
|
STARSTRUCK
|
TV movie, 35mm, 90 min., Crystal Prism Productions, screened at the
1998 International Film Festival in Cannes, acquired and broadcast
by the Berlin Television, 1999
|
TENACITY
|
Short
Film, 16mm, broadcast on Channel 4, 2002
A young artist gets a strange visitor who tempts him to paint
kitsch, only to discover that was the Greem Reaper. |
| THINGS
COULD ONLY GET BETTER |
Short Video, subsequently produced on CD-rum, First Light, 2002
A primary school teacher confronts her students’ ambitious
parents. Satire. |
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